Inside a church turned gig venue, Pys Melyn preached the gospel of Welsh psychedelic indie to a packed crowd, delivering a performance so transformative it felt almost spiritual. Blending hazy, sun-soaked riffs with bluesy undertones and harmonies that channeled Lennon and McCartney, the North Walian trio proved why they’re one of the most exciting bands to emerge from Wales’ flourishing music scene.
Though usually a five-piece, Pys Melyn played Swn festivals friday night as a trio, with Garmon Rhys (bass), Will Barratt (guitar), and Cai Dyfan (drums) holding their own. Without keys, their sound felt slightly stripped back, but the reverb-drenched guitars, groovy basslines, and tight vocal harmonies filled the space with ease. The standout element for me was Garmon and Will’s harmonising.
Performing tracks from their album Bolmynydd, the trio showcased a sound steeped in 60s and 70s influences. The psychedelic undertones, modest stage presence, and infectious grooves had the crowd impressed—even those who didn’t understand Welsh. It’s a testament to the band’s charisma and musicality that language barriers melted away, leaving only a collective awe.
Pys Melyn are part of a growing wave of Welsh-language artists proving that Cymraeg belongs not only in classrooms but on global stages. Their ability to connect with a diverse audience highlights the universal power of great music. In a night filled with standout acts, Pys Melyn felt like the beating heart of the festival—fresh, authentic, and unapologetically Welsh.
Da iawn, boys.
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